“Christian Andreas was a strong Harasta, showing a stout and rolling bass with sound articulation.”
Equally at home on both the concert and opera stages, Christian Andreas is praised for his “remarkable, strikingly - focused baritone voice” (PAMINA Online-Magazin).
Since his professional debut in 2013 as soloist in Bach's St. Matthew Passion under the baton of Helmuth Rilling at the Teatro del Lago in Chile, he has performed across Europe, Asia and the Americas, most notably at the Festspielhaus Baden-Baden in Rossini's L'Italiana in Algeri ("Käpt'n Bone") in 2016.
He joined the Royal College of Music International Opera School for performances of Poulenc’s Les Mamelles de Tiresias (Presto) and Janacek’s The Cunning Little Vixen (Harasta) at the Britten Theatre in London in 2017.
The following year he performed with the Royal Philharmonic Orchestra at Cadogan Hall London, the Orchestra di Padua e del Veneto in Italy and at the Verbier Festival in Switzerland, where he sang Il Conte di Monterone in Verdi’s Rigoletto.
In 2019 he made his US operatic debut as Papageno in Mozart’s Die Zauberflöte at the Aquilon Music Festival, Oregon. Since September 2019 he has been a member of the International Opera Studio at the Opéra National de Lyon in France.
Christian Andreas holds a Master of Music in Vocal Performance from the Royal College of Music London, and a Bachelor of Music in Opera Performance and Vocal Pedagogy from the Hochschule für Musik Karlsruhe.